Hand-Wrighting

What I share won't come from after dark but rather the quiet before the light, warm morning kisses, and the cold grip of the day.







Saturday, November 12, 2011

Super Chief

Growing up we didn’t take many trips.  Two in seventeen years.  Money was a factor.  The oppression of my father’s illness was another.  They defeated any urge to pack up and take a holiday.  I don’t feel deprived from not having vacationed, not many in our farm community did, other than a camping trip at a lake.  Remove the illness factor and I would have been a happy camper to stay home and do whatever.  That was our lot.  The first trip we did take was fairly momentous.  If it wasn’t for my father’s problems we wouldn’t have.  For that matter, we might still have been living in the hills above Berkeley, and not in Kansas.  We moved to Topeka be near the Menninger Clinic, a psychiatric hospital established in the 1920’s by a man and his two sons offering an alternative from asylums as a treatment for mental illness.  My dad started analysis, where a lot of money we may have used for vacations must have gone.  At one point, things were so bad, and my mother so desperate, he was committed there for six months.  After a few years of the renowned regimen, he didn’t feel any better, and he was committed a second time.  He came home with a beautiful round wooden tray he made as part of his therapy.  For some time, he had been in communication with a psychiatrist in L.A., and it was decided he should go out for some consultations.  To his credit, for a man who had been a WWII Navy pilot, a captain for TWA, a onetime district attorney, a rancher, it took guts to reach out for help at a time when my mother’s family thought it all so ridiculous.  Just snap out of it.



Tickets were purchased on the Santa Fe Railway’s celebrated Super Chief, which traveled a route between Chicago and Los Angeles.  It was touted as the “train of the stars”, because it was the deluxe ride of choice for Hollywood celebrities.  Early one spring day my mother and father, my older brother and I, drove from our farmhouse to the depot in Topeka.  As an eight year old, I couldn’t resist walking on the rails as we waited.  The morning dew had left them slippery and one of my stiff-soled cowboy boots wedged between twin rails in a switch area as the engine, with its famous red and yellow war bonnet paint scheme, thundered into view.  I could not get my foot out.  My mother couldn’t get me out either and I would soon to be famous for being under the Super Chief rather than on it.  Finally, she pulled my foot loose, but the boot remained stuck.  Waiting passengers watched the drama, and cheered as mother, determining I needed both boots, wrestled it free as the engine screeched to its stop.



The train was magnificent.  Maybe it wasn’t the Orient Express but it was a shiny, streamlined, American beauty.  For a kid who thrilled at riding in the back of a pick-up, to climb the steep steps was like boarding a spaceship.  Our berths in the Pullman sleeping car, a twinette for my brother and me, had bunks which disappeared into the walls, and a bathroom masterfully engineered for efficiency, with a fold away washbasin.  Confined to the speeding locomotive, I was free to explore the observation car and the lounge car.  The dining car had white linen tables set with silverware and sparkling glasses, infinite food served on china with Navajo designs, handsome black waiters in smart uniforms.



At one stop along the route, my mother bought me a silver ring I had spotted in the gift shop.  It had the face of an Indian chief in a headdress, like the one who walked the aisles of the train greeting passengers, with his long braid of black hair, beaded buckskins, and a feathered war bonnet that trailed the floor.  His nose took up a lot of territory on his etched face.  It wasn’t funny like Jimmy Durante’s, but like a bird of prey.  He looked dignified, strutting in the way of men with strong chests, nodding slightly as he passed as if inspecting us before going into battle.  Even then, I suspected he wasn’t an authentic Indian chief.  I hoped he wasn’t.  I hoped he was an actor from Hollywood parading for a living.



I had no idea who the elegant gentleman in the cream-colored suit and the cigarette was, but my parents did.  My mother whispered to me after he passed us in the aisle one morning.  She did not have a poker face; she had a stone face, like the chief, when she got excited and tried to hide the fact.  I thought it was Edward R. Murrow, but she explained it was Oscar Levant and he had been in the movies.  I remembered seeing him on Jack Parr, with a voice like the creak of a castle door.  (Years later I would see him on reruns of An American in Paris.)  My mother said he had problems with alcohol.  It could have been the moving train that made him unsteady.  Come to find out he had been committed several times in mental institutions, like my dad.  Maybe he was headed home to Hollywood after a stint at Menningers.



The morning we arrived in Los Angeles, I realized I didn’t have my ring.  I recalled taking it off the night before and putting it on the sink as I washed my hands in the observation car washroom.  I thought the soap would be bad for it.  With anything brand new, I was overly protective, like not bending my feet when I walked in new shoes.  I ran back to find the ring but it was gone.  My mother called me a dope for taking it off.  She was mad about wasting the money.



Anon, James.


Sunday, October 30, 2011

Good Night, Mrs. Calabash

Darling mentioned we had been invited to a party, with a Day of the Dead theme, and we could bring pictures or items to honor our family and friends who have died and place them on a shrine the host will have set up.  Maybe we could take a martini glass for my mother, pictures of art works by Darling’s dad, etc.  “But, we won’t put up any pictures of them that contain people still living.  We could crop those off,” she said.  I liked the idea.  I love our Dearly Departed but never pray or think of them in Heaven.  Maybe their energy or essence is floating about the universe.  I see my mother’s face sometimes, as if drawn in a bubble above my head or my daughter’s head, with her wise, approving smile, or making that “tsk, tsk” sound if I’ve done something naughty.  I thought why not write out a list I could tack onto the shrine.
 

My very first death was in grade school.  Marty was in my class and once in a while I would go to her house after school to wait for mother to pick me up after work.  My father was in a state mental institution at the time.  Marty’s mom would make us snacks.  She was younger than mine, I don’t know how old, it’s hard to tell age when you’re young.  Early thirties, or younger, she looked more like a teenager than someone’s mom.  She had black wavy hair, a generous, red-lipped smile, and wore jeans.  Marty and I got dropped at her house one day but no one was there.  Her dad came home a few minutes later and said he had taken her mother to the hospital.  He was a virile young farmer, but you could tell he was shaken.  Someone came to pick me up and get me out of their hair.  Marty’s mom died a few days later.
 

Pals in high school.  Danny, David, and who was the other?  Their car was hit by a train as they were going to a basketball game.  Three funerals in one day.  Catherine, a scrappy, funny woman who I worked with at the Palace clothing store, where I had a part time job in the boys department, was a mother of two teenage girls.  Her youngest, 15, was killed when the car her boyfriend was driving stalled on the tracks, and they, too, were hit by a locomotive.  I didn’t know her daughter that well, but Catherine was like a spunky aunt, always joking.  Not after that.
 

I had a first adolescent crush on Charlotte.  She was only so-so about me, but I could drive, so we had been dating.  When I rang the door bell, she opened the door, and said, “Come in. We think my dad may have been in an airplane crash.”  Her mother and her younger brother were inside.  Her dad had a small plane and had gone somewhere on business or hunting with a few other guys.  The phone rang and they received the news that he had been killed.  I didn’t know what to do, everyone was crying.  After a few minutes a neighbor lady came in and told me I should leave.  Charlotte never went out with me after that night.  I grieved more about that than her dad, who I only met once.  He was handsome and nice to me.
 

Then my dad died of a heart attack in my mother’s arms.  I guess that part was good.  I heard about it on the radio while I was driving. He was 57, mother was 50.  I was 17.
 

Mike Brooks was always one step ahead of incarceration in high school, and probably had ADHD.  I remember driving Mike around in my dad’s new GMC pickup and showing off for him, “burning rubber,” racing around, which made him howl with excitement.  He wasn’t mean but he was ornery.  When we graduated he got a job at a factory and driving home after a graveyard shift, he fell asleep at the wheel of his pretty ’56 Chevy.


Steve Paxson was on the debate team with me.  I found his name years later on the Vietnam Veterans Memorial Wall in Washington.  No one could figure out why he enlisted.  (If you want some details about his death, you can read “Engraved” on this site.)
 

My grandmother Beatrice, “Red Cross,” died while I was in college.  We called her that because she was one of the earliest Red Cross volunteers during the Spanish-American War and, because she was a caring woman, the perfect grandmother, in my eyes.  There was always something in her suit case for me.  She lived in Oakland, CA, where I was born, and would visit us in Kansas when I was a kid.  My dad couldn’t abide her.  Not sure why.  Anyway, my mother went out to close her apartment and settle the estate.  I didn’t go with her, nor was I invited.  It seemed to be something my mother needed to be alone to do.  I did visit a whore house with a Marine buddy.  The one and only time.  Not that is was a bad experience, though it wasn’t all that pleasurable, for her either, I suspect.  Just business.  It was the 60’s, who needed to pay for sex?


When I first moved to NYC I spent a few weeks at the townhouse of my mother’s cousin, a successful businessman, and his family.  His daughters had moved out, two girls my age or near.  Not long after, while on a vacation with her fiancé in the Bahamas, the youngest was paralyzed after a scooter accident.  I visited her in the hospital when she was brought back to NYC.  Later, she had a special chair and an apartment.  I didn’t see her during that time.  The fiancé, who had been driving the scooter, broke it off.  After a few years, in her late 20’s, she’d had enough, and killed herself.  I didn’t learn how.

 A young, sparkling actress I knew socially was a regular cast member on Captain Kangaroo.  Debbie Weems was one of the few in our circle who was famous, really, and lived in a nice high rise apartment.  One February, just after her 27th birthday, she jumped.  She was depressed because she felt she’d always be type-cast as the cute girl on Captain Kangaroo.  She always will be.

 I guess an actor dying makes you pay attention.  Trey, 30, was just another actor when he was killed by a falling board from a construction site on 7th Avenue.  Raul Julia, Ron Silver, fellows I knew and honor.  Court Miller: Aids.  Julia Murray, a lithe, sassy actress who was lovely in the Arthur Penn movie, “Four Friends” was in my acting group, got cancer of the jaw, which they removed but didn’t save her, and like Hamlet, I have kissed those lips.


Darling’s father, an affable man, an artist, teacher, generous with his time as a grandfather, loved his early retirement in southern Oregon.  He could build a house.  In his sixties, he contracted brain cancer.  His daughter and granddaughter were there for him.
 

Rochelle was a chain smoking analyst and the wife of a director friend.  You could not bullshit this lady.  She looked like a European intellectual, with silvery hair and brown tinted horn-rimmed glasses, but she was from Brooklyn. She told me a joke that was so goofy coming from a woman who was so accomplished.  “What do Brooklyn and pantyhose have in common?”  Flatbush.  (Cancer.)  Joyce Lasko, also the wife of a director, and a therapist [ah, New York.]  An Irish beauty and onetime actress, with an acerbic wit.  (Emphysema.)


Audrey.  Break my heart.  A mom and a friend in Portland.  Some people get to you more than others, I guess.  She was so loyal it made you give it back in kind.
 

My mother, like hers, died at 90.  I saw her in hospice, tiny, unconscious, or so it seemed, yet fighting.  We buried some of her ashes at dad’s grave in Kansas, along with some vodka and an olive, and scattered the rest in a pasture we once owned.  Kid and I crawled under a barbed wire fence.  Some of the ashes blew back into our hair.  That gave us a good laugh.
 

Anon, James

Tuesday, October 4, 2011

Bleak Heart

Except for shaving, I try not to look into mirrors, now.  I lived a fairly narcissistic life, without a lot of justification, mind you.  Growing up lonely on a large farm in an empty area, I required my own attention.  I wandered all over hell talking to imaginary friends; they didn’t brush me off like my older brother, or get angry, like my father.  When I could, I sought the refuge of a ravine, or the bank of a pond, and got accustomed to quiet thoughts.  Dad and I shared some very, very long summer days until I was old enough to drive.  I certainly made friends over the years, but I’ve come to realize, for a long while, I was psychologically isolated.  During my young-man years in New York, where I worked as an actor, a career choice which meshed with my narcissism, I spent very little time alone.  I utterly gave myself over to professional and physical connections, or both, rather than personal.  Understand, in those twenty years, I certainly felt love and those former lovers have remained lifelong relationships, miraculously, like sound artifacts pulled from the ashes.  I am grateful for them.



I found comfort within this bleak grip.  My screw remained loose through therapies and kindnesses, and became a predilection – to reserve the kinds of feelings and spoken thoughts which lead to closeness.  This reservation is an important distinction.  It wasn’t that I didn’t feel or have genuinely tender thoughts.  I wouldn’t, or couldn’t, pronounce them.  Unless, I needed something.



This led me to disappoint.  I occupied disciplines, alternatively, healthy or destructive (exercise or drugs; relationships or betrayals).  I could be a passionate friend, colleague, lover, pen pal, mate.  I was told once by a woman who had had some knocks, “Well, at least, you aren’t a flake.”  That was the best that could be said.  Eventually, I would run down, like a cell phone battery.  I re-charged in some form of solitude.  If lucky, an acting job would take me out of town.  Then, alone, I would have too much of my own company.  A definition of crazy tedium.



As with smoking, I got weary of bronchitis.  On free days, I began to take myself away to a house I found in the woods with no phone or television, no distractions, and I nearly healed.  I could leave the woods, the self-imposed quiet.  Eventually, I left New York, which I loved, because new habits required fresh scenery.  At first, it was a bad reaction from withdrawing from all I knew.  After months of living in a few cities, a true vagabond, I breathed easy.



The spell was remedied when I met Darling and we made a decision to have a child.  Kid was born.  It isn’t so sappy.  I was a kind of Strangelove who managed to keep my hand off my throat.  In our fluky, mad-for, bull ride of a nurtured romance, we’ve hung on.  Sometimes I daydream about the house in the woods, or crave, with phantom appetite, an unctuous proclivity.  Inescapable love is revealed when you embrace the bona fide humanity and beauty, the vulnerability or strength in someone, even yourself, stop rummaging in your own lousy psyche, and move past the reflection.



Anon, James

Sunday, July 17, 2011

Get the Picture?

Somewhere off Sunset Boulevard in the Beverly foot Hills, I had my first meeting with my new theatrical agent at Flick, an offshoot of a successful modeling agency in New York called Click.  I was under contract with their New York office, and since I had just completed a small part in a large movie, the agents thought I could parlay this nugget into a TV pilot if I were in Los Angeles.  As it happened, an actor I knew had an apartment in Santa Monica with an empty bedroom to rent.  I decided to go out for a few months, on “spec.”  The L.A. office was in a single story, white cabana-like building set back in a pretty courtyard.  The receptionist was on the phone, chewing gum and flipping through the pages of a thick Day Timer.  (This pre-dated iPhones by 20 years.)  She wore a white jump suit (see?) with matching boots, one of which was propped on an open desk drawer.  I was halted by her upraised index finger, totemically stacked with silver rings.  It then pointed to a fan-backed rattan chair.  I took it to mean that I was to sit.  Clipped short, her black hair was gelled into a series of spikes that vibrated as her head made little jerky movements when she spoke or gestured.  She wore fire engine red lip stick and heavy eyeliner.  The overall affect was that of a rooster, or a Liza Minnelli impersonator.  Replacing the phone on its cradle she said, in exhale, “Can I help you?”



“I have an appointment with Maggie.”  Before I could give my name, a beautiful boy, maybe sixteen, burst into the office and walked past the receptionist’s desk and headed to a small kitchen.  “What’s up, Maggie?” he said to her.



“How did it go?!”  She swiveled her chair to follow him.



“They loved me,” he said, flatly, cleared his long mink-colored hair from his eyes, and opened the door of a refrigerator.



“Well, yuh!” she said.  The boy took out a carton of orange juice and drank from it.  My throat was suddenly dry.  Maggie, my agent-to-be, got up to chat with the lad.  Two desks at the back of the office were occupied by young women whose press-on nails filleted the air as they spoke into their phones.  I picked up a worn copy of People magazine.   Meg Ryan was on the cover.



Maggie came back to her desk, smiling.  I moved to the chair opposite.  During our conversation, the smile dropped and there was a dawning annoyance from her that, not only had I interrupted what might have been a few extra minutes with her beautiful boy, but that the branch of her New York office had obligated her to a thirty-something actor with “B” teeth she neither knew, nor was interested in representing.  It was as if some hated relative of hers had incurred another rehab sentence, and it fell to her to take care of his aging, paraplegic, diuretic dog left behind.  There would be no submissions, no entrées into casting offices, no pilot season.  It would come and go without me.  I would not read for a movie, not through my agency, at any rate.  My baffled call to the New York Flick office yielded no help.  As far as I could surmise, sending me out to the coast was more of an impotent whim, a dart thrown blindly at the board by a newly formed, disorganized agency, rather than a considered plan to foster my talent and career.  What’s more, New York seemed to hold no sway, whatsoever, with their colleagues in Los Angeles.  I had made the choice to come.  Gene Lasko, a producer of the film, had advised, “Sure, go out and get some mileage out of this before the film comes out and they see how bad you are.”  “I’m joking,” he added.



That night I went to my first Hollywood party.  There I was in a glass house in the hills above L.A., wishing I was stoned, sipping white wine, talking to a fine actor I had known in New York.  He had just gotten the role of the sheriff in Halloween Four or Seven.  He was elated and gushing.  I wanted to scream.  Not because of envy.  I could swallow back those feelings.  I was glad for him; it was a great job and he could earn enough to live for several months.  The real horror show was this Renfield’s sycophantic gratitude, his drooling, slavish, thankfulness.  It should have been the other way around.  This actor was doing Hollywood a favor by offering his talent to the project.  Instead, he was taking it in the neck.  I felt hopeless.  I wouldn’t get a bite.



A few days later, I went to a brunch at a seaside restaurant above Santa Monica with some ex-pat actors I knew, casually, from New York.  There was some shop talk but mostly we reminisced about our favorite restaurants and hangouts in New York.  All of us were in California on a fishing expedition and seemed a little sea sick.  I knew I’d see these men and women, paler and feeling more at ease, back in New York in the fall, unless, one of them landed a part on a series.  They might attain the ultimate status and become “bi-coastal,” with the rent controlled apartment in New York and a bungalow in the Valley.  These were accomplished, working actors sitting around the table sipping their Mimosa’s.  I liked them, almost loved them, and am gladdened when I see them in a guest slot now and then.



When I wasn’t watching the sunset from the beach in Santa Monica, sipping orange juice out of its plastic container that I spiked with rum (about the only entertainment I could afford), I found solace in the kitchen of our apartment.  I needed something to keep me occupied besides mailing out pictures and resumes or going on a long drive in a borrowed, yellow Karmann Ghia convertible to the occasional benign interview with a casting director.  My roommates were, generally, gone during the day, leaving me the place to myself.  They were all too happy to be my guinea pigs, coming home in the evening to soups, breads, pies, and casseroles, all manner of things comforting.  I learned, playing in that kitchen, my first lessons in cooking.  (# 5: Don’t put spinach stems in a garbage disposal.)  Though very satisfying, I missed acting.

Anon, James

Friday, July 15, 2011

Melon Folly

As a young man, I suffered when my inner life was in variance with my surface existence.  In point of fact, from when I was young until I was not so young.  About 18 years.  When not tormented (it cycled in and out) with this shit, I was having a pretty good time.  I fell in love with a beautiful actress named Erika in the latter half of the 70’s, and to all appearances we were very compatible, created a stimulating environment, and lived with élan.  On free days we’d often strike out on simple adventures of window shopping, museums and concerts, restaurants, cook in our door-manned apartment, drive in the country, or explore New York City.  We’d dress-up and go into fancy places, like Harry Winston’s to browse, test drive a Mercedes (which she purchased and used on those country drives), or make an appointment to see a penthouse apartment advertised for sale we had no intention of buying.  After one such day of make believe, we sat down at the counter of Rumplemeyer’s, a café in the St. Moritz Hotel on Central Park South, which served delicious confections.  Looking over the menu of Viennese delights I noticed a man one stool down to the left of me enjoying a large, gleaming, succulent slice honey dew melon.  He was one the handsomest men I had ever seen.  In his early thirties, dark and Mediterranean, solid stature, he was absorbed in easy conversation with a woman at his side and offered genuine warmth as he listened and commented and, gracefully as a surgeon, filleted the melon away from its rind.  It wasn’t envy I felt as I observed him, so much as inspiration: could such peace and unselfconsciousness in a human being be possible, manifest in the eating of fruit?  I wanted to forgo my inner-conflicts and be able to enjoy melon and Erika’s company.  I put down the menu, forgot about chocolate, the famous Napoleons, their ice creams and éclairs, and ordered the honeydew.  Life was altered by my witness.

While I waited for my honeydew, I surreptitiously observed how my neighbor ate his melon.  Not with a spoon as I had always eaten them before, but with a knife and fork.  First, he removed the fruit whole from the rind in one long, under cut.  Next, he made an incision, lengthwise all along the middle, then bisected the two narrow halves into smaller, bite-sized sections.  It waited in place upon the rind looking untouched, just as the butcher’s at William’s Poultry on Broadway at 86th pre-sliced their roasted turkey’s, reassembling them to look whole.  I wanted my life to feel whole, from all its separate little pieces.  My melon arrived on its pristine white plate.  I picked up my silvery knife and fork and addressed it with enthusiastic dash.  The last thing I wanted was to appear unsure.  I began by cutting.

I put down my utensils and sat back with folded arms to admire my first maneuver.  The newly freed wedge began to move, so imperceptibly I thought it was an illusion.  I had sliced it at such an angle that gravity, aided by the natural lubrication from its juice, sent it on a determined slide from its rind.  I was hypnotized.  Even if I could have reacted in time and lanced it with my fork or made any attempt to arrest its progress, there would be a catastrophe.  The plate would rear up and clatter back on the marble surface, perhaps breaking, the melon would fly off and slap onto the polished floor, or worse, crash amid the stacks of crystal glassware behind the counter.  In the agonizing slow motion in which our minds see such moments, my fruit-boat launched off the plate and accelerated on a voyage across the counter top, lagged like a curling stone, and kissed the gentleman’s elbow.

I retrieved my melon with fork and bare hand, apologizing for the damp spot on the sleeve of his crisp, French blue shirt.  Awkwardly, I put it back on the plate, as if landing a fish, careful to avoid the rind, lest the wedge take flight again.  This was a challenge.  There was little room left on the plate, and I had to keep it pinned while I used the knife to render it into lifeless, mangled pieces.  Erika and I were unable to restrain our hysterics.  The gentleman and his friend paid and left.  We finished quickly and did the same.



Anon, James

Sunday, May 22, 2011

You Snooze, You Lose

I dread sleep; always have.  This was never evoked by If I die before I wake…a child’s anxious prayer.  It was more If I sleep I might as well be dead.  As a child I was wholesomely afraid of the dark for a reasonable time, but once I invented my imaginary friends to watch over me while I slept I felt protected, eventually, growing beyond the need of their company and surveillance.  (See Paper Man with Jeff Daniels and Ryan Reynolds.)   I did not seek, or believe, assurances from any of the common variety of deities.  I grew up in the last notch of the Bible Belt never having a religious notion.  My mother would, on rare occasions, say she believed in God, but He did not require her to sit in a pew.  My father admired Catholicism, but like the law (he graduated with honors from law school) he liked the study, but not the practice.  Was my warrior friend any less real than, say, Jesus?  Not to me.  That isn’t the point.  To me, my back was covered.
I feared I would miss stuff while I slept.  I did, too.  One of the great dramas in our family history occurred on an early summer morning.  We lived at the top of a perpendicular intersection formed by two dirt roads in a sparse farm community.  A drunken driver coming up the mast of the T failed to make the turn, either left or right, or didn’t realize it was a dead end.  Luckily, it wasn’t for him, though he managed to smash himself into a rock wall bordering our yard.  The sound of the crash woke everyone in our house, mom, dad, my older brother, but not me.  Sherriff cars and ambulance, sirens wailing, the groaning winch truck, came and went over the next several hours while I slept in my back bedroom.  When I got up nothing was left from the scene of the wreck except the scar in the ditch and the displaced stones of our wall.  Why did no one come and get me up?  During the hullabaloo my family decided to let me sleep since I seemed to need it.  Today, I live in New Mexico, where drunks crack up their cars routinely.  (And, tragically, lives of the faultless.)  In the late 50’s, in rural Kansas I only knew of two such calamities, my father being the other one a few years later.  I decided sleep was time forfeited, experience squandered.  I know this view is flawed.

I’ve always wanted to stay up late, and until my mid-50’s I was able to do so.  I was cursed earlier in life being a night owl and a morning person.  As a kid, I was forced to go to bed at an ungodly early hour.  We had a second living room we called the “TV” room on the same floor as my bedroom.  My parents would be enjoying Sid Caesar or Jack Parr, but I could only hear hubbub followed by laughter.  After my bed time, if my folks left to go to the bathroom or kitchen for a minute, I would sneak out of bed, dive behind the closed drapes of the window behind the couch and stand in the sill like a Beefeater, still and mum, one eye at the slit in the curtains.  It is amazing, with all the allergies I suffered, I never sneezed, was never caught.  One of the few things I’ve ever gotten away with.  I’d have to stay put until they turned off the TV and went to bed.  I’d watch the tiny white electric dot in the center of the black and white screen slowly fade, as if the set was resisting being extinguished.
I welcome sleep when I’m tired, feel refreshed if I actually get some, which is rare for me.  I wish I slept as much as I eat or drink, or, at least, as satisfactorily.   As soon as I’ve reached the bare minimum to sustain life, I snap awake, three, four a.m.  I can’t explain why.  It may be, deep down, it’s to escape from sojourns I am subconsciously afraid to face.  Though my recollection of dreams is usually vague to nil, I’m able to intuit they’re often as comic as they are renting nightmares.  Dreams are very important and useful to us, either creatively or as some kind of psychic spill way.  Like my mother and her view of God, if true, you don’t have to be present to win.  I don’t lose any sleep over it.
Anon, James

Wednesday, May 18, 2011

Exit, Stage Left

No, I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous---
Almost, at times, the Fool.

I grow old…I grow old…
I shall wear the bottoms of my trousers rolled.

Excerpt - The Love Song of J. Alfred Prufrock
T. S. Eliot

So much I like about this poem, though Eliot was an anti-Semite. Born in Missouri of all places.  Anyway, fairly astonishing poet.  It begins:

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table…

…among my favorite lines in literature.  Etherized…rather puts you in a time.  The passage above has manifold meaning for me.  Actually, I did play Hamlet at the Folger in D.C., so, it was meant to be.  The girl who played Ophelia was gorgeous, but paid no attention to me whatsoever.  She was fucking Kevin Kline.  We all three were working at the Arena Stage but in different shows.  He was an uber-hot rising actor, and an awfully good one.  I’ve always maintained talent is a sexy force.  I was an attendant lord.

I am an instigator more than a finisher, saying things to get a reaction, or needle; have started a scene or two in my day.  Agitation is a kind of swelling, as a way to deal with feeling helpless or inadequate. Then, I slink away to another part of the party.  Not too comfortable advising, anymore.  Here I have learned, emphatically, to keep my mouth shut.  I get asked once in awhile, and, if asked, I will put in my oar.  As a differential, I made a living outside of the theater as a dependable middle-manager.  Once, in college, I helped my fraternity brother get chosen to take a trip to a conference.  We were in Kansas, and I think the thing was in Miami.  After he was selected to go, I thought: hey, wait a minute…why didn’t I try to get myself sent to Miami!  Regardless, I felt a secret, politic power behind the scenes, like Iago, or some Chancellor.

I believe I am fairly cautious now.  I used to bull-nose my way in and out of a lot of trouble, explode my existence to bits. I’d quit, burn bridges; have an affair to wreck a relationship; drink before an audition, the usual, self-destructive crapola.

At times, indeed, almost a schmuck---

Now?  No.  I may sense the tendency coming on to muck things up, like an alcoholic may crave a drink, but, firmly recovered, would never dream of taking one.  I am not meticulous in all things, but I am in my work, compulsive, out of a sense of incompetence.  If there is a mess on my desk?  Who cares.

Though, I certainly am not full of high sentences - I take my toast and tea from observation and instinct – I do presume to put up a blahg.  I am, on occasion, ridiculous, obtuse, just ask my teenage daughter or her mother.  In truth, I do play to it, aggressively, like “I, Claudius”, as a survival technique.  It’s almost a neurotic response from me, like a veteran who has to sit with his back against a wall.  My war was with a distant, depressive father.  I could deflect wrath, or make a ripple in the still surface of his dark, cold lake of moods.  In school, to win friends, I would clown, even restrain a bit of brilliance which may have put off people I wanted to win over.  Later, this penchant morphed into a stage career.  The Fool, commonly, in Shakespeare, the cleverest of fellows, gets his own.  Make ‘em laugh.

The other day, I caught myself with my jeans rolled …not for style, but because they kept slipping down, and without shoes on, I was stepping on the cuffs…so I rolled them up.  It is one thing to come to terms with the inevitability of to be or not to be, or its foreplay, aging.  I get that.  What snaps my braces is knowing how to drop the role.

Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
  “That is not it at all,
  That is not what I meant, at all.”

Anon, James